Rent: ARRI Amira - High end Doc kit
/day or weekend
Bryan Fowler
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AtlantaCinema CamerasARRI Cinema Cameras › ARRI Amira Camera

2 ARRI Amira Camera for rent near Atlanta

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Member Reviews

Average 5 of 5 Stars
from 1 review
Brent Barbano

When they announced this camera, I was so excited. And It didn't disappoint. Though I do a lot of commercials and polished work, I cut my teeth in documentary work. So an ARRI look with a doc body is a huge combo for me. I've used this camera in the field where I'm shouldered up all day and it's perfect. Works just like your run of the mill ENG camera but delivers a gorgeous picture. Highlights are amazing and skin tone are exactly what you need. Plus it shoots in UHD, shoots up to 200fps, built in ND's (!!!) and a slew of other features. Simply the best documentary/commercial/narrative camera out there.


ARRI proudly introduces AMIRA – (most economical), a versatile documentary-style camera that combines exceptional image quality and affordable CFast 2.0 workflows with an ergonomic design optimized for single-operator use and extended shoulder-mounted operation. Ready to pick up and shoot straight out of the camera bag, AMIRA is hardy enough to take anywhere and features in-camera grading with preloaded 3D LUTs, as well as 100 fps slow motion. It is suitable for a great variety of production types, from reportage and corporate films to TV drama and low-budget movies, so wherever you are headed and whatever you need to shoot, let AMIRA be your companion.

AMIRA features the same sensor and exceptional image quality as the ARRI ALEXA, recording superior HD 1080 pictures that are suitable for any distribution format. With a dynamic range of more than 14 stops, low noise levels, subtle highlight handling, natural color rendering, breathtaking skin tones and speeds of up to 100 fps, AMIRA will deliver beautiful, life-like images in any situation.


SENSOR TYPE 35mm format ARRI ALEV III CMOS (28.17x18.13)

EXPOSURE INDEX EI 160 to EI 3200 (EI 800 base sensitivity)

EXPOSURE LATITUDE 14+ stops over the entire sensitivity range from EI 160 to EI 3200 as measured with the ARRI Dynamic Range Test Chart (DRTC-1)


3200x1800 (4K UHD, 3.2K) 2880 x 1620 (HD)

2868 x 1612 (2K) for monitoring with surround area: 3168 x 1772 (HD)

3154x1764 (2K), 3414 x 2198 (4K UHD, 3.2K)


1920x1080 ProRes HD and HD outputs

2048 x 1152 ProRes 2K

3200x1800 ProRes 3.2K

3840 x 2160 Pro Res 4K UHD and UHD outputs


0,75 - 100 Fps (progressive) HD, 2K

0,75 - 60 Fps 4K UHD & 3.2K

MPEG-2: 23.98p, 25p, 29.97p, 50i, 59.94i